Audix f 50

f50

Affordable All-purpose Vocal Microphone

The f50 multipurpose vocal dynamic microphone embodies a tight and uniformly controlled cardioid polar pattern which assists in isolating the vocals from the instruments on stage. The f50 is also available with a noiseless, magnetic on/off switch (f50S).

Its warm, natural sound reproduction, resistance to feedback, and ability to handle high SPLs without distortion allows the f50 dynamic vocal microphone to be utilized in a variety of live and studio applications. The f50 cardioid microphone is an entry-level, all-purpose vocal microphone for small to midsize PA systems.

MODEL VARIATION

f50S - f50 dynamic vocal microphone with on/off switch.

OPERATION AND MAINTENANCE

The f50 is a low impedance microphone and should be plugged into a ‘mic level’ input on the console, mixer or recording device. Please note that the microphone does not require phantom power, however, the microphone will not be affected in any way by phantom power should it be running simultaneously when the microphone is in operation. Avoid plugging or unplugging the microphone from a PA system unless the channel is muted or the volume of the system is turned down. Failure to do so may result in a loud ‘popping’ noise which could seriously damage the speakers in the PA system.

The f50 is manufactured to exacting specs with road worthy construction. However, the capsule is highly sensitive and should be handled with care. Avoid extreme temperatures and be sure to store your microphone in the pouch provided when not in use. Moisture of any kind can adversely effect the sound and performance of your microphone.

USER TIPS

The f50 has a unidirectional (cardioid) pick-up pattern in order to help eliminate sound from other instruments on stage from ‘bleeding’ into the microphone. Operating distance for vocal application can vary between 2-6 inches depending on how many other instruments are on stage, the volume of the music and the type of monitors being used. When using floor monitors, position the microphone so that it is parallel to the floor. When using multiple microphones on a live performance stage, allow a distance of 2-3 feet between mics to avoid phase issues.

Further miking techniques may be found at www.audixusa.com.