Audix f 9

F9

All-purpose pencil condenser microphone

This f9 all-purpose pencil condenser microphone is suited for instruments requiring detailed reproduction in mid-high and extended high-end frequency ranges in live and studio applications. A wide cardioid pick-up pattern paired with high sensitivity allows close, overhead, and distance miking.

With its low impedance and balanced output, the f9 instrument condenser microphone has an interference-free performance. This microphone operates on phantom power of 12-48 V.

OPTIONAL ACCESSORIES

• TRIPOD - Metal tripod desktop stand for use with any 5/8” threaded mic clip.
• DFLEX - Dual pivot rim mounted clip with extra wide butterfly jaws. Attaches firmly to drum rims, congas, mic stands, drum stands, or goodie table. Comes stock with DCLIP but can be used with any standard mic clip.
• DVICE - Flexible mini-gooseneck with spring loaded rim mount clamp. Includes DCLIP plastic clip.
• DCLAMP - Flexible mini-gooseneck with drum tension lug mount. Includes DCLIP plastic clip.
• CBL20 - 20’ premium XLR-XLR balanced mic cable. Quad conductor, twisted pair with braided shield for maximum conductivity. 6 mm PVC jacketed.
• CBLDR25 - 25’ premium right angle XLR-XLR balanced mic cable. Quad conductor, twisted pair with braided shield for maximum conductivity. 6 mm PVC jacketed.
• SMT25 - Optional low profile shock mount system with nylon cable and thumbscrew for positioning.
• WS81C - External foam windscreen for reducing wind, sibilance, and pop noise.
• APS2 - Two-channel 48 V phantom power supply for condenser microphones. 110 V switchable to 240 V. Detachable power cord.

OPERATION AND MAINTENANCE

The f9 will NOT operate without phantom power voltage (12-48 Volts) which is available on most professional mic preamps and mixing devices. If phantom power is not available on your equipment, you will have to purchase a phantom power supply (such as the Audix APS2). Avoid plugging or unplugging the microphone from a PA system unless the channel is muted or the volume of the system is turned down. Failure to do so may result in a loud ‘popping’ noise which could seriously damage the speakers in the PA system.

The f9 is manufactured to exacting specs with roadworthy construction. However, the capsule is highly sensitive and should be handled with care. Avoid extreme temperatures and be sure to store your microphone in the pouch provided when not in use. Moisture of any kind can adversely effect the sound and performance of your microphone.

USER TIPS

The f9, an excellent choice to mic any kind of acoustic instrument, has a cardioid pick-up pattern which helps to eliminate sound from other instruments on stage from ‘bleeding’ into the microphone. However, the f9 is much more sensitive than a dynamic and will pick-up sound from a greater distance. The acoustic nature of the instrument being miked along with how loud it is will determine how far the microphone should be from the sound source. For example, the f9 can be placed 1-2 feet above the cymbals of a drum kit and still pick up plenty of sound, whereas for a acoustic guitar, the mic will need to be placed within 8-12 inches to be effective. Allow a distance of 2-3 feet between microphones to avoid phase issues.

Further miking techniques may be found at www.audixusa.com.