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Audix OM 7

Dynamische zang en spraakmicrofoon gebruikt door professionele geluidsbedrijven, front-of-house en mix engineers

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Product omschrijving

OM7

Professional dynamic vocal microphone

The OM7 vocal dynamic microphone is used by professional sound companies, front of house and mixing engineers as well as high-profile fixed installations. The OM7 provides unprecedented gain before feedback on concert level stages without sacrificing sound quality. In addition, the mic is very resistant to feedback on extremely loud stages and for performers who tend to ‘cup’ the microphone with both hands.

In order to achieve these extraordinary performance benefits, the OM7 dynamic vocal microphone is designed with an unconventionally low output level (8-10 dB lower than typical dynamic microphones). This low output level acts as a natural ‘pad’ at the capsule in order to maintain high fidelity at the source. The OM7 hypercardioid microphone is best suited for use with high-quality mixing consoles that have plenty of headroom to compensate for the low gain.

Designed, assembled, and tested by Audix in the USA.

FEATURES

  • Concert level, professional vocal mic for live sound, broadcast and studio
  • Unprecedented gain before feedback
  • Handles incredibly high SPLs without distortion
  • VLM Capsule
  • Designed, assembled & tested in the USA
  • 5 year warranty

APPLICATIONS

  • Lead or backing vocals
  • Live recording
  • Broadcast
  • Home studio - vocal and instrument
  • Sax, brass, guitar, dobro, flute, percussion, drums

SUPPLIED ACCESSORIES

  • MC1 - Heavy-duty nylon molded clip with brass insert
  • P1 - Carrying pouch

OPTIONAL ACCESSORIES

  • WS357 - Optional high quality external foam windscreen for reducing wind, sibilance, and pop noise.
  • CBL20 - 20’ premium XLR-XLR balanced mic cable. Quad conductor, twisted pair with braided shield for maximum conductivity. 6mm PVC jacketed.
  • CBLDR25 - 25’ premium right angle XLR-XLR balanced mic cable. Quad conductor, twisted pair with braided shield for maximum conductivity. 6mm PVC jacketed.
  • T50K - Professional impedance matching transformer that allows a low impedance mic to be connected to a high impedance input.
  • TRIPOD - Metal tripod desktop stand for use with any 5/8” threaded mic clip.

SPECIFICATIONS

Transducer Type: Dynamic

Frequency Response: 48 Hz - 19 kHz

Polar Pattern: Hypercardioid

Output Impedance: 50 ohms

Sensitivity: 0.8 mV / Pa @ 1k

Capsule Technology: VLM Type C

Off-Axis Rejection: 30 dB

Maximum SPL: ≥144 dB

Power Requirements: None

Connector: 3-pin XLRm

Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of output XLR connector

Materials / Finish: Zinc Alloy / Black Finish

Weight: 307 g / 10.8 oz

Length: 176 mm / 6.9 in

OPERATION AND MAINTENANCE

The OM7 is a low impedance microphone and should be plugged into the ‘mic level’ input of your console, mixer or recording device. Please note that your microphone does not require phantom power and will not be affected in any way by phantom power should it be running simultaneously while the microphone is in operation. Avoid plugging or unplugging the microphone from the PA system unless the channel is muted or the volume of the system turned down. Failure to do so may result in a loud ‘popping’ noise which could seriously damage the speakers in the PA system.

The OM7 is manufactured to exacting specs with roadworthy construction. However, the capsule is highly sensitive and should be handled with care. Avoid extreme temperatures and be sure to store your microphone in the pouch provided when not in use. Moisture of any kind can adversely effect the sound and performance of your microphone.

USER TIPS

The OM7 is designed with an unconventionally low output level; this means that the gain will have to be compensated on the mixing console or mic preamp. The OM7 has the tightest pick-up pattern of any microphone on the market. This helps eliminate sound from other instruments on stage from ‘bleeding’ into the microphone. For best results, it is important to sing directly into the mic as close as possible at all times (within 1 inch).

When using floor monitors, position the microphone so that it is parallel to the floor. When using multiple microphones on a live performance stage, allow a distance of 2-3 feet between mics to avoid phase issues.

Further miking techniques may be found at www.audixusa.com.

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